I was thinking of the C Lydian mode when I wrote this chord. Although the chord doesn't include the 3rd of CMaj7, this could be implied by playing another voicing after this one. You can also play the 3rd in your line (as I've done here). The line itself uses two classic devices:
1) Creating a line off the chord shape you're holding.
2) Stacked 4th intervals.
Enjoy!
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