This chord is a practical 3-note voicing. There is movement in the top voice (the G# going to the F#) to make the chord a more melodic comping idea. This voicing can also be played with the exact same fingering on the 5th,3rd and 1st string.
As the 3rd is not present in the voicing, this chord can also be used in place of a minor7(b5) chord.
In the musical example, I played a typical minor progression (F minor-Ddim-G7-C7) and used today's voicing in both the G7 and C7.
Enjoy!
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